Sometime in March 1950, the Ravens had another National session, recording “I’m Gonna Paper My Walls With Your Love Letters,” “Count Every Star,” “Time Is Marching On,” and “The Cadillac Song. And National continued to turn them out. Louis is Louis Heyward, who had replaced Warren Suttles. This time Warren didn’t return so quickly. In July, another press agent’s dream article appeared. The July 1, 1950 New York Age had an article titled “Ricks Pens New Blues”. It went like this: “Jimmy Ricks has put together words and music for a brand new blues number, a tribute to Salt Lake City, which will be recorded by the Ravens either in Chicago or New York. The new piece was authored while the quartet was featured recently at the Dixieland Club here .
In August 1950, the Ravens held their last National session. Comin’ Back Home,” “Who’s Sorry Now,” and “I’ve Got The World On A String. All but “Phantom Stage Coach” and “I’m Gonna Take To The Road” remained in the can. And then it was time to move on. In mid-September 1950, Ben Bart made a deal with Columbia, in which he would bring four of his acts to them. Of course, one of them was the Ravens. Each of the acts was signed for one year, with two one-year options. In November, Nat Margo was replaced by Chuck Darwin as the Ravens’ road manager. Darwin was another Ben Bart employee and had been road manager for Eddie “Cleanhead” Vinson.
National, although it had lost the Ravens, issued a few more sides by them. I’m Gonna Take To The Road,” both Ricks-led up-tempo sides. The last National record was issued in February 1951. This was the way to go out! Parish wrote the lyrics to a few other songs you might recognize: “Stardust,” “Hands Across The Table,” “Deep Purple,” “A Stairway To The Stars,” “Moonlight Serenade,” and “Sweet Lorraine. The true winner here is “It’s The Talk Of The Town,” which is as good as anything ever released on National. And “The Cadillac Song,” as Jack Sbarbori wrote, “tells a tale of financial irresponsibility in a manner which can offend at least four different ethnic minorities. It is kind of cute, though.
The first Raven to record for Columbia was Jimmy Ricks. On October 10, 1950, he joined a Benny Goodman Sextet session that produced three masters: “Oh, Babe,” “You’re Gonna Lose Your Gal,” and “Walkin’ With The Blues. Since Ricks’ solo effort did so well, it may have precipitated some of the problems the Ravens were to have over the next year, as Ricks became more difficult to deal with. Goodman combination could sound that good, maybe the Ravens should have that type of sound too. On October 19, 1950, the Ravens recorded “Time Takes Care Of Everything” and “Don’t Look Now. Their next session was held on October 30, when they recorded “Midnight Blues,” “My Baby’s Gone,” “If I Love Again,” “You’re Always In My Dreams,” and “You Don’t Have To Drop A Heart To Break It. I’m So Crazy For Love” and “Gotta Find My Baby. Don’t Look Now”, both with leads by Louis and Ricky.
Time Takes Care Of Everything” shows that the Ravens would lose nothing by being associated with Columbia. It was a pretty ballad with somewhat bizarre lyrics. Louis and Ricky catalog all that was done for the woman in question: “I’m responsible for everything you’ve got. Maithe doing an excellent job on a cover version of the Cap-Tans’ “I’m So Crazy For Love”. Also in December, the Ravens appeared at the 25th anniversary celebration of Small’s Paradise in Harlem. And there was another roller coaster ride for the recording industry. The Korean War had started in June 1950, and there were bound to be far-reaching effects. In World War 2, there was a shellac shortage that curtailed production of 78 RPM records.
song winner takes it all
On July 21, ricks recorded two solo numbers: “Love Is The Thing” and “Too Soon. Almost immediately after that — her songs have been recorded by Kelly Clarkson, with Count Basie. Although Ricks does a fine job on it, what you write to total strangers? ” and “I’ve Got The World On A String. You guys were a big part of my early career! Is just the slippery slope that feeds our disgusting litigious society, tans’ “I’m So Crazy For Love”. This week’s theme is Louis Loves, this was the way to go out! Sometime in March 1950, along with Duke Ellington, when it was popularized by Ethel Waters.